“...He went on to partake in the Turinese Futurist movement from the very beginning. Turinese Futurism played a key role, and by being more intelligent and active, was in fact what kept the movement going in the rest of Italy. It is enough to recall the numerous paintings created: Vetrina Futurista, 1927, Città Futurista, 1929, La Città Nuova, 1930 and finally Stile Futurista, 1934.”

Luigi Carluccio, 1965