Balletti russi 1930
Destriero - 1930
Scomposizione di un volto - 1930
Adamo ed Eva - 1931
Capelli al vento 1931
Divinazione - 1931
Figure 1931
Testa di Cristo 1931
Vele - 1931
Comunicazioni - 1932
Violoncellista 1932
Femminilitą - 1933
Inconscio - 1933
Mondana - 1933
Venere Cosmica 1933
Volo sulla Cittą 1933
I protagonisti 1935
Danzatrici - 1936
Figure - 1937
Il Bevitore 1938
La Modella Tatuata 1938
Danzatrice spagnola
Nudo di donna
Serenata di Pierrot
Veliero


“The group of Turinese artists, independently resolving new problems, brought life to the second wave of Futurism, a movement in which Ugo Pozzo took on a prominent role. The theoretical applications of Futurism were filtered through the peculiar notion that the movement was based on. As a result of a contemplative and ironic approach, these applications led to a more intimate vision that looked at the world on a larger scale, not just from a mechanical viewpoint. The concision and dynamism of expression and the compositional precision that Pozzo's plastic studies yielded were always conveyed with extreme equilibrium. Above all, his works tended to involve the observer in the creative act. The architectural allusions, anatomy of his nudes, body shapes and face profiles depicted in his paintings were harmonized and fused a balance between space and size. This ingenious artist has undoubtedly been one of the best interpreters of Futurist poetics.”

A.M. Secondino,  1969